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Manny the woolly mammoth, Sid the sloth, Diego the saber-toothed tiger, and the hapless prehistoric squirrel/rat known as Scrat are still together and enjoying the perks of their now melting world. Manny may be ready to start a family, but nobody has seen another mammoth for a long time; Manny thinks he may be the last one. That is, until he miraculously finds Ellie, the only female mammoth left in the world. Their only problems: They can't stand each other--and Ellie somehow thinks she's a possum! Ellie comes with some excess baggage in the form of her two possum "brothers"-- Crash and Eddie, a couple of daredevil pranksters and cocky, loud-mouthed troublemakers. Manny, Sid and Diego quickly learn that the warming climate has one major drawback: A huge glacial dam holding off oceans of water is about to break, threatening the entire valley.

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General
ID : 1
Complete name : Ice Age 2 The Meltdown.m2ts
Format : BDAV
Format/Info : Blu-ray Video
File size : 4.00 GiB
Duration : 1h 30mn
Overall bit rate : 6316 Kbps
Maximum Overall bit rate : 35.5 Mbps

Video
ID : 4113 (0x1011)
Menu ID : 1 (0x1)
Format : AVC
Format/Info : Advanced Video Codec
Format profile : [email protected]
Format settings, CABAC : Yes
Format settings, ReFrames : 3 frames
Duration : 1h 30mn
Bit rate : 5417 Kbps
Nominal bit rate : 5309 Kbps
Width : 1920 pixels
Height : 1080 pixels
Display aspect ratio : 16:9
Frame rate : 23.976 fps
Resolution : 8 bits
Colorimetry : 4:2:0
Scan type : Progressive
Bits/(Pixel*Frame) : 0.109
Stream size : 3.43 GiB (86%)
Writing library : x264 core 66 r1114M a933a3e
Encoding settings : cabac=1 / ref=3 / deblock=1:0:0 / analyse=0x3:0x133 / me=umh / subme=7 / psy_rd=1.0:0.0 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=21,11 / chroma_qp_offset=-2 / threads=3 / nr=0 / decimate=1 / mbaff=0 / bframes=3 / b_pyramid=0 / b_adapt=1 / b_bias=0 / direct=3 / wpredb=1 / keyint=250 / keyint_min=25 / scenecut=40(pre) / rc=2pass / bitrate=5309 / ratetol=1.0 / qcomp=0.60 / qpmin=10 / qpmax=51 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=25000 / vbv_bufsize=25000 / ip_ratio=1.40 / pb_ratio=1.30 / aq=1:1.00

Audio
ID : 4352 (0x1100)
Menu ID : 1 (0x1)
Format : AC-3
Format/Info : Audio Coding 3
Duration : 1h 30mn
Bit rate mode : Constant
Bit rate : 640 Kbps
Channel(s) : 6 channels
Channel positions : Front: L C R, Surround: L R, LFE
Sampling rate : 48.0 KHz
Stream size : 415 MiB (10%)

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Slotting comfortably into the generic mould created by more memorable predecessors, Craig Viveiros’s feature length debut, Ghosted, is all you would expect from a standard prison drama. A haunted and weathered John Lynch plays Jack, the model prisoner at the end of his stretch attempting to protect new inmate Paul (Martin Compston) from the influence of the sneering prison psychopath, Clay, menacingly portrayed by Craig Parkinson.


Although this film does not deviate far from the typical themes of revenge and redemption, it is solid and engaging, with an intriguing story and absorbing characters brought to life by a watchable cast. Strong, believable performances from a medley of proven British actors combine with the confident, skilful direction of Viveiros, creating an uneasy simmering tension which drives the narrative. Familiar issues are handled in an interesting, understated manner that lends a shocking subtly to the more disturbing scenes. This is used to greatest effect during the climax, where the suggestion of brutality that accompanies an unsurprising twist gives the film an emotional impact that prevents it from falling at the final hurdle.

However, the prison slang, threatening mumblings and angry growlings that are no doubt realistic, sometimes make the nuances of the plot and back-story difficult to follow. This disrupts the narrative flow and pulls the focus away from the drama.

Though the main characters are well developed, there are a few interesting figures, such as Ahmed (Art Malik of True Lies fame) and Ade (Hugh Quarshie from Star Wars Episode I), that are disappointingly under-used. Though they initially appear to have narrative significance, Viveiros fails to capitalise on their potential, meaning that these familiar on-screen presences never amount to anything more than a passing distraction.

Whilst Ghosted isn’t about to herald a new generation of modern prison dramas, it is a well crafted and engaging character drama that will entertain and satisfy fans of the genre.

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http://www.imdb.com/title/tt1628039/

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